Transcript
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People have a right to believe what they want to believe. I looked up and saw a dull silver disc.
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I saw a silver disc that was spinning. People were seeing weird aerial phenomena. Flying hats.
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What does a flying hat remind you of? I'm just minding my own business in the bedroom.
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Holy Spirit taps me on the shoulder, gives me one word, Fatima. And I go, I go, Fatima, oh my gosh,
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it's 2017. It's a hundred year anniversary. You've got to be kidding me. This is unbelievable.
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I go into the bathroom and I go, we're going to Portugal. The Lord just told me to make films on
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Fatima. I don't believe this. So, like, we start the process and you want to talk about favor,
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you know, when the Lord gives us an assignment like this, it's just everything just like,
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it's like, weee. We got this donation out of the blue from people we didn't even know
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that paid for the trip. We got hooked up with Francisco Carrera, who's the head of ExoPolitics
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and was immersed up to his eyeballs in the Fatima apparitions. And so we went there,
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and Francisco was our guide, and we got to Fatima on one of the days. So the backstory to this whole
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thing is there are three children. They are illiterate. They are Lucia, or Lucia. Most
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people know her as Lucia, but the Portuguese pronunciation is Lucia. Anyway, so she's 10,
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Francisco the cousin is 9, and Jacinta is 7. These are illiterate young children, all prepubescent.
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They're out there in the fields with their sheep, and they're shepherds. They're not going to school.
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They're taking care of the sheep. And it's 1917. 1917, World War I is raging.
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The Bolshoi Revolution has just happened. Europe is terrified that communism is going to spread in
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the Europe. This is where we are. Men are sent off to the front. There's no communication. In Portugal,
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there's no aerial phenomenon at all. People have never seen a blimp or an airplane. There might have
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been one bi-wing plane in Lisbon, maybe. But even that's like, eh, they're just not there in 1917.
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They're just not. The Wright brothers, when did that happen? So this is all very new.
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So there's a group of psychics. This is all in our films. There's a group of psychics who get
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together, and through the occult technique of automatic writing, where you write like Michelangelo,
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or Da Vinci used to, from right to left, and you hold it up into a mirror, there was a message that
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came through. So all these psychics in a circle, they're calling down the spirit guide, one guy,
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the spirit comes in, the demon comes in, the hymn. It's called automatic writing. Madame Blavatsky,
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the mother of the new age, this is how she wrote all of her vitals. She would go in the room,
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lock herself in, three days later, she comes out with ISIS unveiled. That's how it works.
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Because the spirit's just going like this, just writing as fast as it can. She's in a trance.
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So this guy writes this thing, and he says, something wondrous will happen on May 13, 1917,
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signed Stella Matutina, the bright morning star. Check number one. And so it's automatic writing.
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They published this in Oseculo, which is the Portuguese newspaper. I've actually been to
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not the original site, but they have this huge building where the actual original letter is kept
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behind glass. And I got to photograph that and see that. Or not letter, but the automatic writing,
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Stella Matutina. So this goes out. People aren't thinking anything about it. So on May 13, 1917,
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the three children, Lucia, excuse me, Francisco and Jacinta, are tending sheep all of a sudden.
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Bam, there she is above the treetops. It's not Mary the Bible. And we took Mary off the table.
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And I even say this at the beginning of the film, people have a right to believe what they want to
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believe. If you believe it's Mary the Bible, I'm not going to argue that with you, but I'm not
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going to believe it's Mary the Bible, because it's not what was seen. The children are looking at
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this thing, where are you from? She never said from heaven, she never said her name, but she
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said from heaven, she never said her name was Mary. She pointed to the sky. She communicated
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with them telepathically. Lucia, Francisco and Jacinta could, they all saw her, but only
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Lucia and Jacinta could hear her. The entity gave them something to eat and drink, very typical for
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UFO encounters, by the way. Lucia and Jacinta ate and drank, but Francisco only ate. So Francisco
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could see her, but never heard her. So now you got two of the girls, that's it. And it's mostly
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Lucia who's telling everybody what she's seen. So the entity goes, I'll be back next month.
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So it's May 13th, so it's now June 13th. They've told their parents, there's a small group of people
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that are there. The entity appears again, only the kids can see her. And this goes on by this time.
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So it's May, June, by the time it gets to July, the clergy's heard it, the magistrate, the mayor
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of the town, all this stuff is going on. In our film, there was the parish priest and Father
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Fierro. And all of our source material comes from his writing, comes from the 1917 handwritten
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testimonies. So Father Fierro is interviewing people who were there, including Lucia and Jacinta
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and Francisco, trying to get to the bottom of this. Father Fierro, right from the get-go,
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believed it was demonic, bully for him, because I do. So by August, the kids are incarcerated.
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So they're not there for August 13th, but the crowd has squalled to thousands of people,
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thousands of people, all right? Thousands of people were there. People were seeing weird
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aerial phenomena, flying hats. What does a flying hat remind you of? If you saw a flying hat, what
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would you say? I saw a UFO. Remember, 1917, there's nothing in the vernacular like flying
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saws or UFO. None of that's there. So September comes, they go, the magistrate, the priest,
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the monsignor, there's all bevy of people up there, and Father Fierro writing everything down in the
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handwritten documents. This time, we're going to let you go see the entity, ask her, tell her that
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we need a sign. So the kids go back, sure enough, the entity appears. She is about three feet tall.
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She's wearing a skirt that went right below her knees. Mary, the Bible, would not wear a skirt
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like that. Women in 1917 in Portugal would wear dresses all the way down to the tops of their
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shoes. So the fact that she's wearing a skirt that's showing part of her legs is way outside
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the paradigm. This is not Mary, the Bible. This is something else with all due respect.
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And it's been dressed up with Mary and Catholic clothes, so there's not much you can do about it.
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So the kids go and they tell the entity that we've been told to ask you for a sign. So the entity
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says, yes, on October 13th, I will be here. There will be a sign. The kids go back, they tell everybody
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this spreads like wildfire. 1917, there is radio, but not many people have them. There's no television,
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so it's all newspaper and lots of word of mouth. October 13th comes, 1917, they're upwards of
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70,000 people in the field. Wow. 70,000. They're waiting for the sign. It's been raining all night.
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Everyone is sopped to the bone. The ground is all wet. There's a sea of umbrellas. Remember,
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Portugal now is a republic, but the king, for the monarchy that was deposed, the king's royal
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photographer, Joshua Bonolio, is there in the field. And Bonolio takes 12 pictures, 12 pictures
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of the event. And so the entity is supposed to be there at noon, and all of a sudden it's been
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raining, it stops raining, the clouds part, and the sun comes out. But in front of the sun comes
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this cloud. And out of the cloud comes a disk-like object, which falls to the ground like this,
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and then spins and goes back up into the cloud, and then falls again. It does this, I love props,
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it does this three different times. And before it does what we call the flyby, where it comes
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right over the crowd like this. All sorts, we did two films. Harbingers of Deception is the title of
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one, Strange Phenomena is the second. Car windchills exploded. Automobiles suddenly burst into flames.
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The people who were underneath the flyby, their clothes suddenly dried. Days later, they had
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radiation burns, like sunburn, just like Richard Dreyfuss, when he leads his head out of the car
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and looks up at the UFO, just like that. The radiation burns. This is high strangeness. And
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in our film, we show the only picture that's ever been published from Joshua Bonolio showing a disk-
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like object hovering right over the apparition site. Here's the apparition site, right over it.
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And it's in the picture. And we actually interviewed Jose Machado, who's a professor
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of semiotics. This is what he does for a living. He studies photographs and all this. He was able
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to go into the sanctuary at Fatima. They couldn't find the pictures. They couldn't find the glass
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print. Oh yeah, it was just like Raiders of a Lost Ark, when they take the ark and they make that
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left turn and it's see you later. Exactly what this is. No one knew where the original glass plates
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from Joshua Bonolio, who took these pictures in 1917. Well, they finally found them after three
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hours. And we have a picture where Jose is holding the glass plate. He's got the museum gloves on the
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whole deal. And we grilled them on this because, you know, Jose, are you sure? And people would say,
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Jose, it's Jose in Portuguese. So Jose, are you sure this is not a scratch or a chemical burn?
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Nope. Whatever this is, is intrinsic. It's in the film itself. We published that in our film. We
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were allowed to publish that. But it's the only picture that shows that it was, in my opinion,
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a UFO event. And here's something else. People looked up eyewitness accounts that were in the
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field at Fatima that day, on October 13th, 1917. They looked up and in their own words, their own
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testimony, handwritten by Father Fierro, I looked up and saw a dull silver disc. It's like right
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there. I looked up and saw a dull silver disc. I saw a silver disc that was spinning. I mean,
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we hear this from the eyewitnesses over and over again. This is why we call it strange phenomena,
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harbinger of deception, because this sets this 70,000 people, for the most part, believe the
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malign. And there's a picture I show in my presentation. There's about, it's taken by
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Joshua Bonoio, the crowd looking up during the miracle of the sun. They're looking like this.
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One guy is perplexed. Somebody else has their hands folded. They're praying. They're interpreting
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it religiously. There's a woman looking at it like very skeptical. There's somebody else with
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their face just blown away like that. The body language is incredible. There's so much to glean
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from just that one picture that Joshua Bonoio took. In my opinion, with all due respect to
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people who want to believe it was Mary the Bible, it was not Mary the Bible. When you do a deep study
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into Fatima from the original 1917 photographs and handwritten testimonies, there's no way this is
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Mary. There's no way. This is a harbinger of deception. And that when it comes, what about
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the third secrets? Well, all these secrets came afterwards. There were no secrets in Father Fierro's
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handwritten testimonies. They're just not there. The word Russia is never mentioned at all in the
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handwritten testimonies. So Francisco and Jacinta die in the flu. So now you only got Lucia. At 18,
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she's transported into a convent and the Jesuits run the story. And this is where Lucia's memoirs
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begin to take place, including the third secret, including consecrate Russia to my sacred heart.
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It's not in the 1917 hand. It's not there. Russia has never mentioned none of it. It's all,
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this is all a construct. So, you know, you tell people this and they look at you,
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oh, you're just being anti Catholic. No, I'm not just looking for the truth.
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If it's there, then why isn't it there in the 1917 handwritten records?